Ajay Devgn’s latest comedy, ‘Son Of Sardaar 2,’ struggles to find its footing, largely overshadowed by a chaotic plot, though Deepak Dobriyal delivers a memorable performance.
A Muddled Return to the ‘Sardaar’ Universe
For those who recall the original ‘Son Of Sardaar,’ the sequel brings back familiar faces like Ajay Devgn, the late Mukul Dev, and Vindu Singh, but it fails to significantly improve upon its predecessor. The film attempts to be a madcap caper, yet frequently loses its comedic rhythm and narrative coherence.
Audiences might find themselves experiencing déjà vu, as the sequel echoes the original’s somewhat aimless pacing. Despite the efforts, ‘Son Of Sardaar 2’ struggles to connect its various comedic threads into a cohesive whole.
Deepak Dobriyal Steals the Show
One of the film’s undeniable highlights is Deepak Dobriyal, who delivers a captivating performance as a nearly unrecognizable trans person. His portrayal is full of brio and commitment, often outshining the film’s central storyline.
Dobriyal’s character adds a much-needed spark, though the all-over-the-place script doesn’t always allow him the space to fully develop his potential. He consistently proves his mettle, making his scenes the most engaging parts of the movie.
Ajay Devgn’s Bewildered Journey
Ajay Devgn reprises his role as the ‘bhola-Sardar’ Jassi Randhawa, who finds himself in Scotland navigating personal affronts and general befuddlement. His character’s journey involves discovering his wife’s perceived betrayal and getting entangled in a series of disconnected events.
Jassi’s confusion mirrors the audience’s experience as he encounters a range of characters, including a Pakistani dancer named Rabiya (Mrunal Thakur, showing an unexpected comedic flair). Their storyline becomes intertwined with Rabiya’s daughter and a sheep-farmer who harbors anti-Pakistani sentiments, adding layers of complication.
A Confusing Web of Characters and Gags
The film introduces several other characters and subplots, further adding to the narrative’s complexity. Chunky Panday and Kubbra Sait appear as members of a dance troupe, also from Pakistan, with their own set of marital woes.
The comedy attempts to tackle a running India-Pakistan gag, incorporating some unexpected twists on the usual stereotypes. However, some gags, including recycled scenes from the 1997 war film ‘Border’ and elements of racial humor, fall flat and feel out of place.
Missed Opportunities and Unfocused Humor
While the film aims for broad laughs and a hare-brained comedic style, it often lacks the crispness and connection needed for effective humor. The ensemble cast, including Ravi Kishan, Roshni Walia, and Sanjay Mishra, contribute to the sprawling narrative.
The comedic timing often falters, and the age gap between the lead pair feels like a missed opportunity to explore more nuanced character dynamics. Ultimately, ‘Son Of Sardaar 2’ struggles to land its punches, leaving viewers wishing for a more focused and genuinely funny experience.
- Deepak Dobriyal’s performance is a major highlight.
- The film struggles with a chaotic and disconnected plot.
- Attempts at comedy often fall flat or feel recycled.
While ‘Son Of Sardaar 2’ offers moments of individual brilliance, particularly from Dobriyal, it largely remains a muddled comedic effort that fails to fully capitalize on its potential.
